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AG-HMC150P
Panasonic Pro AG-HMC150 3CCD AVCHD 24fps Camcorder
The cooler than cool AG-HMC150 drew big crowds
at the 2008 NAB Show. Why? Simply because it offers an unheard of Bang for the
Buck, in a 1/3-inch three-chip hand held tapeless HD camcorder, while
retaining the core versatility of the DVX100B. The HMC150 sports a 28mm lens
right out of the box and a new PH Record mode (21 Mbps) which offers higher
resolution with a host of recording formats including 24p. Add to that,
amazing low light performance, long record and battery time and professional
Audio capabilities at a price that will make it an instant hit with a wide
range of AV Shooters, Indie creators and Event video professionals.
The AG-HMC150 represents a major step forward in the introduction of a next
generation solid state HD camera that extends the six year successful track
record of the popular DVX100 plus a lot more. The HMC150’s lightweight
(lightest 1/3-inch 3CCD available), well-balanced professional design features
a high performance wide-angle Leica 13X zoom lens, 24 and 30 frame progressive
capture, both in 720 and 1080 formats, making it perfect for even high level
projects. Designed from a clean sheet of paper with much customer input to
Panasonic's product development engineers, the HMC150 sports a Die Cast Alloy
chassis and a Three year warranty (upon customer registration) that further
endorses its reliability.
Search below for Panasonic professional camcorders or any other products on Amazon!
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- Full range of HD formats: 1080/60i, 1080/30p, 1080/24p (Native); 720/60p, 720/30p, 720/24p (Native)
- Higher bit-rate recording than consumer models (21 Mbps PH Mode)
- Three latest design 1/3-inch CCD Progressive Imagers
- 13X Wide angle 28 mm lens out of the box (35mm equiv.), MOD .6 M, 72mm Ø (Shoot in confined spaces with no need to buy an accessory lens)
- Time Date Stamp for Legal Depositions or surveillance
- Waveform Monitor, Vectorscope plus two Focus displays for accurate, quick focus
- Professional XLR audio input connections
- Time code (DF, NDF, REC RUN, FREE RUN) and USER BIT
- HDMI out, Component Out (mini D terminal), Composite Video Out and RCA Audio Out jacks
- External Time Code Link (Slave & Master Preset) uses the Composite Video Out terminal
- USB 2.0 for file transfer (no need for a VTR)
- 3.5-inch LCD monitor displays thumbnails for quick non-linear access to clips
- Remote control connection for Zoom, Focus, Iris, and start/stop functions
- 14 bit A to D converter and 19 bit Image processing
- Cinelike Gamma & DRS Dynamic Range Stretch (Filmaker requested features)
- Three Neutral Density Filters 1/4, 1/16, 1/64
- Pre-Record (3 Seconds), Digital Zoom 2X / 5X / 10X (in 1080/60i & 720/60p only)
- Three User Set Buttons with 11 choices for customizing Camera to Shooter
Additional Highlights:
Using the latest in compression technology (AVC High
Profile) and widely available SD memory cards as the
recording media, the AG-HMC150 is as easy to use as a
digital still camera. The content recorded on the SD card
can be directly played on a growing number of affordable
consumer players, including select models of Playstation 3,
Blu-ray players, plasma screens and PC’s. With most NLE
systems now supporting AVCHD, content can be edited and
rendered to play in any type of SD or HD playback system.
Dynamic Range Stretch. With DRS ON your customer can
capture better Video quality when shooting bright, halftone
and dark objects in the same frame. (Bride’s white gown
details and the Groom’s shades of tuxedo black.) This clever
circuit estimates the gamma curve and knee slope of each
pixel’s brightness and applies the estimate on a real time
basis. The result is more accurate Video with a visually
wider dynamic range.

DVX100 users want more
HD in a similar form factor at a reasonable price.
DVX100 users are craving for a camcorder with the same size
and and key design elements but with the increased
resolution and color quality of the widescreen HD format.
With Optical Image Stabilization and Manual & Auto Focus,
the HMC150 appeals to a wide variety of shooters. In the new
PH mode, the HMC150's image quality far exceeds what is
possible with HDV, and at a lower bit rate. The HMC150 is
simply an incredible value!
Enhanced Tools to make better Video. The WFM allows
for critical evaluation of too high Luminance levels which
can ruin a job, like the shine on a model's forehead. The
built-in Vectorscope allows for color analysis and matching
because it measures color saturation as gain, and Phase
(Hue) as the angle. When it comes to critical focus, two
'Focus aids' are on board. In addition to the Center Zoom
which enlarges the center 2X filling the entire the entire
LCD screen, the Histogram display shows fine focus as
Amplitude & Frequency, making it easy to see critical focus.

Discover the Top 50 Customer-rated Professional Camcorders on Amazon!
The feature-rich HMC150
raises the bar for video quality. As the camcorder &
display market moves swiftly to High Definition, superior
image quality and higher-end features are now a must-have.
Panasonic is confident that the HMC150 will give customers
the higher quality and creative edge they need to stay
ahead of competitive shooters with SD or HDV pro
camcorders. The HMC150 will meet and exceed the
expectations of professionals who make their living
shooting video.
Professionals Need Great Audio. Two locking XLR
inputs at the front, complete with hard switches for Line
and Mic with +48V Phantom Power, Manual level controls,
and Internal/External assignment. Up & down volume
adjustments can be made to the internal speaker or stereo
headphone output.
Don't be afraid of the Dark or of your tape running out.
With 14 bit Analog to Digital conversion and 19 bit Video
processing, users can shoot in low light situations with
virtiually no fear of video noise detracting from the
highly detailed video. They can also forget about the 63
minute record time limit of DV & HDV and the need to
estimate remaining battery life. The new Info Data battery
system used in the AVCCAM line up updates remaining time
left to the minute.
Competitive Advantages of the AG-HMC150:
Benefits of AVCHD:
AVCHD Editing -- AVCHD editing is now supported on both dual core PC and Intel based Mac platforms and files can be transferred as uncompressed HD video utilizing a simple HDMI to HD-SDI converter. Recently announced AVCHD editing support is available in: Apple iMovie, Apple Final Cut Express, Apple Final Cut Pro 6.0.1 & above, Adobe Premier Pro CS3, Grass Valley EDIUS Pro v4.5, Pinnacle Studio Plus/Ultimate 11 & 12, Nero7 Premium Reloaded, Ulead Video Studio 11 plus and DVD Movie Factory 6 Plus. An available free downloadable transcoder is also available to convert content to DVCPRO HD on our website.
Most Helpful Customer Reviews
1) 41 of 47 people found the following review helpful:
I received my 150 a little over a week
ago. Bought it because I wanted to move up to HD and get out of the tape
business. It did not come with an SDHC card. Bought an 8 GB to carry me
over until my 16 GB cards arrive via Amazon. I am still on the learning
curve on it. Especially liked the large comfortable color view eye piece.
I was also amazed by the clarity of the video play back on my 48" LCD
screen. Used the three cable output first, that came with the camera(
Video, Lt. Rt. Audio )
Very clear video, much clearer than my trusty old Canon GL-2 It does not
come with an HDMI cable. Bought one locally and tried it. Plugged one end
into the HDMI out port on the camera and the other end into the HDMI port
of my TV. I was blown away by how clear it was !! The video was clearer
than some of the stations I view in HD.
On playback, you are given a thumbnail of the first frame of each scene
you shot when you turned the camera on. On playback, you can skip around
the scenes you want to view , or delete if needed. The focus assist is
another nice feature. When you use it, it momentarily zooms in on the
middle of your next shot so that you can fine focus if needed.
It has many other features that I have not tried yet. On editing, bought
the Pinnacle 12 Ultimate because it is set up to handle the AVHCD format
and a PC with the AMD quad Phenom processor with 3 GB of RAM. Waiting for
a more powerful graphics card to arrive before trying to edit in this new
format. The battery that came with it is small. Would recommend buying the
larger battery as soon as you can to balance it out. Right now, it feels a
little out of balance because of the smaller battery. Also liked the solid
magnesium body. No plastic anywhere ! Overall, I am impressed with this
camera.
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One thing you need to keep in mind is
that editing AVCCam/AVCHD is a P.I.T.A. I'm using CS4 on a 2.4 quadcore
with 8gig of RAM and Vista64 and it's sluggish with frequent lockups. I'm
getting Cineform ProspectHD v4 when it comes out to compensate. Vegas 8.0c
and Edius works well I'm told, and FCP need to convert it to ProRes (or
whatever it's called). I think Avid needs to convert it to a native codec
as well. Panasonic does offer a free converter to DVCProHD on there
website
[Update 6/5/09... Premiere CS4 4.1 update is out, and editing is much
easier. Also, Prospect v4 is out, and editing with the demo I've been
trying has been a joy]
That said... the camera itself is awesome. Really. I'm coming from the DVX,
and this is leaps and bounds above that (which is saying something). The
images I'm getting are beautiful. I'm planning on going out now on my days
off to shoot just for the fun of it.
I really can't add anything that hasn't been said already by others. But
if you're looking at the HVX200a or HPX170 (they all share the same chips,
and the HMC shares the same glass as the HPX), but don't want to deal with
the costs of P2 or need all of the features of the HPX or HVX, I would
HIGHLY recommend buying this instead.
Just be prepared for some editing headaches at first (the problem with
bleeding edge technology is sometimes you need to get stitches).

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